Exotic Wood Species – Now Available

December 30, 2010

If you have ever been to our shop in Austin, Texas you will notice a tightly stacked pile of small wood pieces under our stairs. To most people including the rest of our staff this is a pile of scrap wood that Travis just won’t throw out. I have been accused on several occasions of being a hoarder, a term I deny. Hoarders are people who cannot throw out trash. These pieces of wood are rather a treasure of exotic wood species that I have collected over years of instrument making. I prefer to call myself a wood monger. As a lifelong woodworker and instrument builder for most of my adult life, I find it fascinating that a tree can create such ornate beauty as they grow. This is why I just cannot bring myself to throw away even the smallest pieces.

Finally, after years of dusting off walnut burl and flamed maple to make a case that we should be making instruments out of exotics, I am very excited about being able to work with some exciting species. We are starting with a few core exotic wood species and look forward to your feedback.

Curly Maple – An extremely hard wood from the maple tree, our supply comes from North America. Of all the hardwood, Maple is the most widely used material for instruments such as guitars and violins. It is extremely stable meaning that it is closed grain and remains very straight under most environmental conditions. Curly maple is an end grain effect that is cut just right so that even though the wood is perfectly straight and smooth it looks wavy or quilted. The wood takes on an iridescent effect as the wood takes on drastic changes in density. Most of the book matched highly figured guitar tops are curly maple. For this reason we have chosen Curly maple so that you may enjoy it’s figuring on you midi controller just as a guitarist can look on his prized guitar.

Birdseye maple – A rare phenomenon indeed, birdseye figuring occurs in several species but especially in maple. It isn’t really known how it gets this look . Research has discounted the theory that it is caused by pecking birds deforming the wood grain. However, no one has figured out what exactly produces the effect. Birdsey is highly sought after and is only found in small parts of few lumber that is harvested. Birdseye is rated by the frequency of the eye’s. Material with a very high concentration of birdseye is usually cut very thin into laminate. We will be searching for some high frequency stock and may try laminating to get some truly spectacular examples of this wood.



Purpleheart
– It has always amazed me that a tree can grow purple! Purpleheart comes from a flowering tree in south and central America. The tricky part of purpleheart is that it’s color evolves when exposed to UV light. When sanded and cut fresh it is a very light purple. As it is exposed to UV light it gets darker and darker. We plan to use a UV protective clear coat that should keep the color in the medium range. Purpleheart is extremely hard, dense, and stable grained. It makes an excellent instrument wood.

Wenge – Truly exotic, Wenge is from the Congo. It has been widely used in very high end custom instrument builds particularly in bass guitars. As a bass player I have always admired Alembic’s use of the species. Wenge is stunning in its contrast and used it the most high end wood inlay and furniture pieces. As a woodworker, I have a love hate relationship with the wood. It is amazing when finished but the wood is difficult to work with. It splinters into razor sharp needles that are septic. That is the wood has an irritating oil in it that causes inflammation when it goes into the skin and is hard to dig out. Also the dust is quite fine and pungent to the point that we wear respirators while working with it. But I love the stuff. As an end user there isn’t anything to worry about, as we’ve done all the hard work and it has five coats of clear coat protecting the wood. The things we do to make you beautiful instruments!

Lacewood – Referred to as Australian lacewood and South american lacewood. This species produces a bizarre spotted grain that is a result of very very densely compacted grain. By the time lacewood is finely sanded and sprayed, the spots and grain has a 3D depth to it. These pieces are almost a conversation piece and the structure is almost a puzzle piece that is a wonder how it could be created by nature. Highly decorative and solid, Lacewood really makes a Livid controller stand out and just screams high end.


Zebrawood
– Probably the most contrast you will find in a wood grain, zebrawood is striking. Dark brown stripes in a light caramel background is like someone got chocolate in my peanut butter! This is a very rare wood from Africa. Most of the supply we have access to is old stock as not much is being imported anymore. Zebrawood is a very distinctive choice of wood and is used by some of the best high end guitar and bass makers.

Exotic woods are available on all of our controllers, exclusivly at shop.lividinstruments.com

0

Luminair for iPad with the Ohm64

December 23, 2010

Luminair has added support for the Ohm64, and made this awesome video showing how it works.

Luminair for iPad is an advanced DMX lighting control app, which works by transmitting DMX over Wi-Fi to compatible Art-Net and sACN DMX interfaces, lighting fixtures, and media servers. Luminair has a refined, configurable user interface that features wide fader controls, large trigger buttons, RGB and CMY color pickers, XY grid controls, and simple touch-based channel assignment. In addition, Luminair has an advanced cue playback system, capable of continuously and seamlessly transitioning between hundreds of different lighting “scenes”.

Luminair was recently updated(v1.1) to support external MIDI control, among other notable new features such as remote control via OSC. The new MIDI implementation features an easy to use MIDI-learn mode, along with full mapping save and load capabilities. Users can assign external MIDI controls to faders, cue trigger buttons, playback controls and much more. Luminair works with CoreMIDI via Apple’s USB iPad Camera connection Kit, as well as Line 6′s MIDI Mobilizer dock accessory for iOS devices.

The variety of control types on the Ohm64 makes it perfect for using as an external MIDI surface for Luminair. The configurability of both the hardware and software give users a lot of flexibility in setting things up to their liking. The Ohm 64′s knobs can be assigned as RGB and XY encoders, buttons to Cue triggers and other actions, while sliders can mapped to Luminair’s control and playback faders. Also worth noting is the great design of the Ohm64 hardware being the perfect compliment to Luminair’s UI, making for a very enjoyable user experience. Like many other USB MIDI controllers, using the Ohm64 with Apple’s iPad USB Camera Connection kit currently requires a “powered” USB hub, due to the iPad not supplying enough power. Other than that, it works great. Take a look at http://synthe-fx.com/

0

It ain’t pretty, but it’s damn fun to play.

December 15, 2010

Livid Sampler“Livid Sampler 03 is a basic sampling application designed to work with Livid Controllers. This is a final update to the first release of Livid Sampler, an open-source Max/MSP patch, application, and VST plugin. This is “final,” because it was done in Cycling 74′s Max 4.6 and pluggo, which is no longer sold or supported, and Sampler is also going to evolve into something more sophisticated.

The real reason for this release is to put a fun and simple sampler into the hands of Livid customers that is designed to work instantly with your controller, and hope it sparks some discussion and requests on what it might do in the future. There are a minimum of controls and settings, letting you concentrate on playing, rather than making minute changes. We are planning to release some software using this sampler as the foundation, and we’d love to hear what you would like to do with it, what more you want from it, as well as test the playback mechanism for stability and usefulness. As you think about what you might want to see, keep in mind that we don’t intend for this to replace or compete with software that you already use. We do intend to make a software package that maximizes interactivity, quick production, and musical focus on our controllers and others.”
Download it from our downloads page. Works with Ohm64, block, and Code (for the record, Sampler doesn’t take advantage of encoder updates – sorry!).
I’m curious to see how this could fit in with your existing setup, or how you might want to use, or what it would need to fit into your setup. Drop some notes in the comments to take some time to help us design! Here’s a video that explains it all. You may want to play it in a bigger window, rather than this tiny embed!
And for the sake of making the most of my media, here’s an excerpt of just the mix. (Yeah, I could use some time away from programming to practice….)
8

Ohm64 and Block Demo Video

December 9, 2010

Over the past year we’ve been collecting footage from artists and performers doing some amazing things with our controllers. From Ableton Live to Resolume, we have seen scripts, templates, and uses we never imagined, but definitely encouraged. Much of the footage in this video was filmed in Austin, TX “The Live Music Capital of the World”, which is also our home base. This video features demos and examples from Ableton Live, Renoise, Reason, Record, Max/MSP, Serato, Traktor, Max for Live, Resolume, VDMX, Luminair for iPad, Culex, and many more. Some of the artists in this video are Chili, Pailo, AmpLive, Heyoka, Elliot Lipp, Mike Abb, G King, Signal Path, Naik, Hitori Tori, and more. Special thanks to Mike Abb and Abboriginal productions for all his hard work shooting and collecting many of these videos.

0
Get Adobe Flash playerPlugin by wpburn.com wordpress themes