Glitch Hop Forum Producer Competition

May 31, 2011

Our friends over at the Glitch Hop Forums are celebrating their 2nd year birthday with a nice little competition. They’ve reached over 5000 members and are giving away a tom of cool prices including a copy we donated of Cell DNA, DJTT Midi Fighter, NI’s Komplete 7 Elements, and a lot more. The contest is being judged by Ill Gates, Mochipet, Vibesquad, and others. They put together this nice video explaining it all. It ends on June 7th so get your submissions in!

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Controllerism and Reason

May 23, 2011

Our friend James Bernard over at Propellerheads just released a very thorough video on controllerism and its impact on electronic music. James does a really thorough job of covering a wide range of controllers and uses, starting with the Ohm64. Even if you don’t use Reason, the short history lesson is worth the watch. If you do use Reason he shows you the basics on using the Ohm64 with Reason using a remote script. He also covers various hardware controllers, wi-mote, keyboard controllers, and DIY options. Controllerism evangelist Ean Golden from DJ Tech Tools also makes an appearance giving his thoughts on the movement.

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Ohm64, Code, and Lighting Controls, All in One Case

May 15, 2011
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We recently got an email from user Boaz van den Ban asking if he could use a second Code in his setup that already included an Ohm64 and Code. I was really interested in seeing what his setup looked like and he send me some pictures. It was pretty obvious that he had a very specific vision for his creation and his website is all in Dutch, so I put together a little interview for him to see how he uses it. You can see from the pictures that there is a lot that went into the design and execution of his controller from the case design to the mass amounts of tool in his workshop.

The build quality on your custom creation looks really thought out, can you tell us what exactly you use it for?
The computer is meant for light control via dmx. I use it as a light artist at al kinds of events, mainly parties and club nights. The case design and choice of hardware was made based on the demand for high reliability, small size, and safety in transport and adaptability for different purposes.

What is your background in?
Originally I am a theatre light and scenery technician. A few years ago a friend of mine ask me if I was interested in helping him with lights at a party. One thing led to an other. Now I run a small company which organizes lights and decorations for interesting and challenging events. I design, build and operate the sets.

Why did you decide to put it into one case?
The fact that my setup is prefab in the case saves me time, inside are more than fifteen connections and eleven devices. It makes a more complex setup possible. The case protects the valuable gear and is great in transport together with my lights which are also in flight cases.

It looks like a totally custom build, did you do all the work yourself?
Yes, I made the entire case. I did use some standard issue elements like the connector panel on the back. And in the non visible division, I had help with a max patch on the mac inside.

Why did you choose the Ohm64 and Code?
This is not the first custom light controller I’ve build. Before I used a kaos pad and a separate faderbank from different brands. The ohm64 gave me the possibility to put the two machines into one and the build quality is significantly better. The merge saves me space and makes changing of the controllers more intuitive. And off course it looks much better. The code gives me a lot of extra control. I use it as an auxiliary fader bank and to control an audio filter patch to isolate sounds in the spectrum to control chases.

I usually find after I am done building anything, I want to make revisions and create version 2. Is there anything you’d like to add or change in this unit?
This is version 2! Off course there are always more dreams. In the future I would like to add a second code controller so I don’t have to switch between the aux faders and the sound module during an event. Also I would use it to have direct control over as much dmx as possible for programming purposes. Furthermore I would like to ad an Ipad as a remote.

Where can we see you using it?
My next gig is dnb rave the 21st may in Amsterdam. In may and June there are some festivals and in July I go to Berlin for a three day gig in a big club. Keep track on my website:www.boazconstructies.nl, soon also available in english.

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Block Expansion Jacks

May 11, 2011
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Since we started making controllers we have tried to make them as adaptable, flexible, and open as possible. We’re always looking for ways to expand our product line, not simply replace it with a new product, giving our controllers the kind of refinement our users deserve. We are pleased to announce the addition of expansion jacks to our block controller. These expansion jacks open up a world of possibility to our compact control surface.

All block controllers now come with our expansion module for added adaptability, flexibility and control. Two ¼” jacks allow you to connect Roland-style foot pedals and single analog controls. Put your feet in the mix for additional controls, or experiment adding different sensors and switches. If that’s not enough, you can add up to eight more analog controls with the pin header connection. This provides a direct link into the block’s Brain so you can experiment with touch controls, sensors, accelerometers, faders, rotary knobs, and more. Of course, our Builder series BYOB boards can be easily integrated for a totally customized and modular setup.

Here’s a quick video showing eight additional faders and a foot pedal using the expansion jacks. I used two slide boards and eight sliders from our builder series and quickly wired them up to make a sidecar slider module. We’ll be making more examples of uses in the coming weeks so stay tuned to our facebook and twitter pages for those announcements.

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Livid Code and Korg iMS20 iPad app

May 9, 2011
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Livid Code controlling the Korg iMS-20 iPad app with MIDII recently went through the documentation for the Korg iMS20 iPad app to find out how to control it with the Code. While Korg’s MIDI implementation is not totally comprehensive, it’s still pretty useful. I created a map you can use for the Code to control the main Synth screen. The zip also includes a graphic that most of the possible controls if you want to try controlling other parts of the app (like the mixer and effects) with your Code (or other MIDI controller). This video scratches the surface of possibility with this type of combination, and I look forward to exploiting this even more!

I have an octave of a C-major scale on the bottom, with the Code’s knobs closely approximating the screen layout. One exception is that the Modulation generator is moved to the top left of the Code. If you want to use the map, then download the zip, unzip it, attach your code to your computer, open the Code Editor, and select “Open” from the file menu, then find the “Korg-iMS20_layout.lmd” file from the zip. Press “send” then “save to Code,” then detach and hook up to the iPad with the Camera Connection Kit and a powered USB hub. Oh, and ENJOY!

PS – for those who landed here searching for the iMS20 MIDI spec, here’s the graphic:

control korg ims-20 with MIDI

MIDI cc assignements for Korg iMS20

 

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