Livid and Minus Present: CNTRL:R

January 25, 2012

After a year in development with secret testing at gigs by Minus artists’ Gaiser and Marc Houle, we are proud to present CNTRL:R. In December 2009 we hooked up with electronic music pioneer Richie Hawtin and started talking about designing a new controller together. The next year was spent discussing designs, uses, and prototyping a few units to actually road test in a live performance setting. After a few redesigns and a lot of hard work, CNTRL:R was born. This is one of the most exciting and longest lasting project we’ve work on and it’s only just the beginning.

CNTRL:R features twenty four rotary knobs, twelve push button rotary encoders, eight faders, a 4×4 grid of RGB keypads, and two rows of 16 RGB light buttons. The CNTRL:R also contains our expansion jacks for connecting Roland-style foot pedals and other expressive analog devices such as faders, accelerometers, sensors, rotary knobs, and our XPC expansion controllers. The CNTRL:R is fully programmable with scripts and templates available for softwares such as Ableton Live and Native Instruments Traktor.

In addition to the hardware, we worked closely with Richie Hawtin to create a brilliant Max For Live step-sequencer that integrates seamlessly into Ableton Live. The unique layout of CNTRL:R is ideal for a step sequencer, and this plug-in makes it easy to quickly generate grooves for sounds in a Live Drum Rack. Each pad in the 4×4 matches to a sound loaded in a drum rack, and a sequence is easily entered in the bottom row of buttons. The encoders automatically map to important parameters for the sound, such as volume, pan, filter, pitch, and other controls. Depending on the type of instrument (Simpler, Sampler, Operator, Tension, etc), the encoders will latch onto appropriate parameters allowing interactive, immediate sound-shaping and control. The bottom four encoders map to functions in the sequence itself, allowing for random variation, sequence rotation, and rhythm manipulations. With all these controls at your fingertips, you will quickly find your groove. Beyond all this instant control, a bit of mousing will let you alter the velocity, duration, and chance for each step, as well as offer some different modes of step editing. If one sequencer isn’t enough, the CNTRL:R Remote Script for Live gives you access of up to four sequencers on four different tracks, at the push of one of the top encoder buttons. Of course, because its Max For Live, the source is available for your edit and alter to your own liking. We also have plans for releases of new devices for sequencing melodies, bass lines, improvising with your controller, and more. You’ll soon realize there’s more to Live than mixing clips – you’ll have full interactive control over your entire set.

CNTRL:R  is available directly from our online shop and through our worldwide dealer network.

0

Cell and CellDNA v 2.5

November 7, 2011

Today we’ve released version 2.5 of both Cell and CellDNA. Version 2.5 builds on the same core architcture of previous version, and also adds a lot of functionality, features, and integration. One of the main features that they both share is a powerful SQLite database built into the browser so producers can tag, comment, and search for clips on any drive for immediate recall and playback.

CellDNA has some extra control features. On OSX computers, the output can be sent and received via Syphon to other Syphon-enable software for projection mapping or additional mixing. Networking is built-in allowing for multiple computers running multiple screens. For Ableton Live users, the free CellDNA-Control Max for Live plugin provides tightly integrated video with their audio tracks, using audio, MIDI, automation, and controller data from Live to remotely control CellDNA on the same machine, or over a network.

CellDNA can also be expanded by users by using the intuitive visual programming environment, Max from Cycling74. All effects and extras in CellDNA are open source and can be modified by the user, or used as an educational tool. Video and control patches can be created using the CellDNA SDK, offering an unprecedented level of user customization.

Both programs feature extensive MIDI integration. A user-editable template system means any Livid MIDI controller and the Akai APC20 and APC40 can be plugged in and mixing instantly. More controllers will be added throughout the year. Up to six MIDI controllers can be mapped to almost anything, so any pile of controllers can be turned into a sophisticated video mixer.

0

Controller Apps

April 20, 2011

Below is a repository of applications and scripts for our controllers. Thanks to the community and people supporting our instruments.

OhmModes Remote Script for Ableton Live
OhmModes turns the Ohm RGB and Ohm64 into three virtual control surfaces for Ableton Live, geared towards Mixing, Playing, and DJing. Manual included in the zip file, or you can refer to the wiki.
Download v1.14 > Ohm64 & OhmRGB

Basic Remote Scripts for Ableton Live
Ohm64 and Block script created by Mike Chenetz from max4live.info. Code script created by Livid. Requires Ableton Live 8+
Download > Ohm64 | Block | Code

Installation notes:
MAC – Right click on the Live App icon and put the Ohm64 (or block or Code) folder in Contents/App-Resources/MIDI Remote Scripts
Windows > C:\Program Files\Ableton\Live \Resources\MIDI Remote Scripts
When you open live go to the preferences and select Ohm64 (block,Code) in the control surface preferences, and the input/output prefs.

Monomodular
An incredibly sophisticated remote script for Ableton Live and the Ohm64 and Block created by aumhaa. Also includes popular monome applications that run inside of Max for Live.
Download: Monomodular

Ableton Live DJ Remote Script
DJ specific Ableton Live remote script created for the Ohm64 created by Kevin at ofrecordings.com.
Product Info

Native Kontrol – Ohm64
nativeKONTROL omComponent Series is a collection of Presets for Livid Instruments Ohm64 that transform the Ohm into an advanced control surface for Ableton Live
Product Info

Native Kontrol – Block
nativeKONTROL blockLive is a Preset for Livid Instruments Block that turns the controller into a powerful control surface for Ableton Live 8.
Product Info

AUTONOHM
Novation style automap for Ableton Live, created by Demian. AUTONOHM adds 32 midi pages for the grid, with a simple intuitive menu and other features.
Download

Code Control
Max for Live device for the Code controller created by Veedjee.
Product Info

Reason 4 Remote Files
These installers provide the necessary files so the block and Ohm64 is automatically mapped to devices in Propellerhead’s Reason. You can designate the block or Ohm64 as the master keyboard as well as navigate the software. Every device has a unique mapping, and is detailed in the PDF manual.
Mac | Windows
Device mappings PDF

Reason 5 Remote Files
These are the block and Ohm64 Remote Script files for Propellerhead’s Reason 5 and Record 1.5 Although they should be part of the Reason/Record installation, this download also provides full documentation for the mappings.
Download here

REX Jockey
Created by Peff, REX Jockey contains remote maps for Reason5 and a demo session for the Ohm64.
Product Info 

Ohm64 Native Instruments Traktor Mapping
These installers provide the necessary files so the Ohm64 is automatically mapped to Native Instruments Traktor DJ Software.
Download > Traktor Map Files
Video Overview

OhmRGB Native Instruments Traktor Mapping
Multicolor Traktor mapping created by Robert Vela.
Download > Traktor Map Files | Mapping Guide
Video Overview

MLRV
Standalone software (requires Max Runtime) MLRV natively supports the Ohm64 and Block. Works natively, no additional applications are needed. Select the device in setup.
Download > MLRV2

Aurex Sequencers
Ableton LiveSequencers created by DJ Aurex for Ohm, Block and Code
Download

Monome Bridge v013
Monome bridge allows you to run monome applications.
Download > Mac | Windows
Download > Max/MSP source

Ohm64Sound FMsynth v06
A simple FM synth application. An excellent Max example and standalone noisemaker.
Download > Mac | Windows
Download > Max/MSP source
Video overview

Duplex for Renoise 2.6
Duplex is a flexible system for using external controllers in Renoise and supports the OHM64 controller. It’s based on Renoise’s built-in scripting, so anyone can extend and modify the implementation.
Download > Duplex

LividSampler v3 beta
A simple and extremely easy to use sampling application lets you easily assign and edit sounds for each button in the 64 button grid of the Ohm or block controllers. The standalone will automatically detect the Ohm64, block, or Code controller – no hardware setup or MIDI learn necessary. Plug in takes notes 0-63 to play each sound.

Download > MacWindows
Download > LividSampler Source
More > about

LividStep – Max For Live Device and Standalone
Livid Step provides up to eight tracks of traditional step sequencing, with expanded control over time, step assignments, instrument control, and even improvisation.
Download > Max for Live Devices | Standalone for MacStandalone for Windows

Cycling 74 Max Patches
This patch and associated files make it very easy to integrate a Livid controller into Max/MSP. Cycling 74′s Max5 required to use these.

Download > Livid And Max | Livid And Max – GenericMax SynthCode SetupBasic Step Sequencer

Madrix Map
Madrix LED lighting control software that supports the Ohm64. Works natively, no additional applications are needed.
Download > controller map

Arkaos Grand VJ
Arkaos’ GrandVJ natively supports the Ohm64 and Block. Works natively, no additional applications are needed. Select the Map on startup.
Download > GrandVJ demo

Luminair
Ipad and Iphone lighting software that supports the Ohm64.
Download > product info

Ohm2Resolume
This is a MAX project to make Livid’s controller talk to VJ-app Resolume Avenue and vice versa. Create by Tschoepler
More > product info

If you see anything missing or that needs to be added, contact us here.

5

Cell DNA’s Max for Live Devices

March 28, 2011
We’ve seen a lot of iterations with mixing realtime audio and visuals in the past ten years. Our controllers for one are built as generic  ”instruments” for media mixing, and there are many different uses from Live to Resolume. The marriage of visualist and musician in one software package (or one person) hasn’t really materialized on a large scale yet. Up to this point our own VJ software Cell and Cell DNA work well with our controllers and Live, but we wanted to take it a step further and make them work well in Live.
We’ve built a suite of Max for Live devices to go between Ableton Live and CellDNA video software that can expand your musical ideas into the visual realm. CellDNA VJ software is incredibly easy to use, with a big grid of 64 clips (with 32 presets, that means over 2000 clips to play with!), dozens of OpenGL effects, live camera input, live video sampling, recording, and is even extensible with Max 5 patches. With these devices you can totally control your visuals within Live, and let your music completely control the visuals.

With Livid CellDNA and our Max For Live devices, you can turn Ableton Live into your own automatic VJ. 

  • Use your controller in Live to trigger video and effect
  • Link audio clips to video clips
  • Use MIDI clips to sequence videos
  • Use audio from your tracks to play clips and control visual effects.
  • Collaborate with your VJ over a network
  • Control multiple computers for multiple screens.
Cell DNA’s Max for Live devices are free and can be downloaded from the downloads section of lividinstruments.com. If you don’t already own CellDNA, you can install and try the demo on your computer. If you are ready to dive in and learn all about it, take a look at the extensive tutorial on our vimeo page.
We’re also offering a special right now on CellDNA to celebrate this release – use the coupon “maxfordna” when checking out from our online store.
8

What You Talkin’ Bout Willits?

July 2, 2010

Just as I was going to make a video showing off the block and the Livid Step Max for Live device, Christopher Willits made one that would have blown mine out of the water. In his “What You Talkin’ Bout Willits Episode 15 – The Block and Max for Live” he shows off the awesomeness of the block using Livid Step. Christopher started this series with XLR8R Magazine, and he cover all sorts of interesting topics centered around music making. If you haven’t seen them before there are a bunch of great topics and techniques covered. Check them out on his youtube channel.

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